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British popular music

Selasa, 30 September 2014 - - 0 Comments

British popular music

British popular music and popular music in general, can be defined in a number of ways, but is used here to describe music which is not part of the art/classical music or Church music traditions, including folk musicjazzpop and rock music.These forms of music have particularly flourished in Britain, which, it has been argued, has had an impact on popular music disproportionate to its size, partly due to its linguistic and cultural links with many countries, particularly the former areas of British control such as United States, Canada, and Australia, but also a capacity for invention, innovation and fusion, which has led to the development of, or participation in, many of the major trends in popular music.This is particularly true since the early 1960s when the British Invasion led by The Beatles, helped to secure British performers a major place in development of pop and rock music, which has been revisited at various times, with genres originating in or being radically developed by British musicians, including: blues rockheavy metal musicprogressive rockpunk rockelectric folkfolk punkacid jazzdrum and bassgrime and Britpop.

Early British popular music


1950s


1960s

1970s

In the 1970s British musicians played a major part in developing the new forms of music that had emerged from blues rock towards the end of the 1960s, including folk rock and psychedelic rock. Several important and influential sub-genres were created in Britain in this period, by pursuing the possibilities of rock music, including electric folk and glam rock, a process that reached its apogee in the development ofprogressive rock and one of the most enduring sub-genres in heavy metal music. While jazz began to suffer a decline in popularity in this period, Britain began to be increasingly influenced by aspects of World music, including Jamaican music, resulting in new music scenes and sub-genres. In the middle years of the decade the influence of the pub rock and American punk rock movements led to the British intensification of punk, which swept away much of the existing landscape of popular music, replacing it with much more diverse new wave andpost punk bands who mixed different forms of music and influences to dominate rock and pop music into the 1980s.

1980s

Rock and pop music in the 1980s built on the post-punk and new wave movements, incorporating different sources of inspiration from sub-genres and what is now classed as World music in the shape of Jamaican and Indian music, as did British Jazz, as a series of black British musicians came to prominence, creating new fusions like Acid Jazz. It also explored the consequences of new technology and social change in the electronic music of synthpop. In the early years of the decade, while sub-genres like heavy metal music continued to develop separately, there was a considerable crossover between rock and more commercial popular music, with a large number of more "serious" bands, like The Police and UB40, enjoying considerable single chart success. The advent of MTV and cable video helped spur what has been seen as aSecond British Invasion in the early years of the decade, with British bands enjoying more success in America than they had since the height of The Beatles' popularity in the 1960s. However, by the end of the decade there was a fragmentation, with many new forms of music and sub-cultures, including Hip Hop and House music, while the single charts were once again dominated by pop artists, now often associated with theHi-NRG hit factory of Stock Aitken Waterman. The rise of the Indie rock scene was partly a response to this, and marked a shift away from the major music labels and towards the importance of local scenes like Madchester and sub-genres, like gothic rock.

1990s

2000s to present

See also

Notes

  1. Jump up^ R. Shuker, Understanding popular music (London: Routledge, 2nd edn., 2001), pp. 8-10.
  2. Jump up^ P. Childs, M. Storry, Encyclopedia of contemporary British culture (London: Taylor & Francis, 1999), p. 412.
  3. Jump up^ B. Capp, ‘Popular literature’, in B. Reay, ed., Popular Culture in Seventeenth-Century England (Routledge, 1985), p. 199.
  4. Jump up^ T. Herbert, The British Brass Band: a Musical and Social History (Oxford: Oxford University Press, 2000), pp. 4-5.
  5. Jump up^ Diana Howard London Theatres and Music Halls 1850-1950 (1970).
  6. Jump up^ C. Parsonage, The evolution of jazz in Britain, 1880-1935 (Aldershot: Ashgate Publishing, Ltd., 2005), pp. 197-200.
  7. Jump up to:a b R. Unterberger, "British Rock & Roll Before The Beatles", All Music Guides,http://www.allmusic.com/explore/essay/ retrieved 24/06/09.Jump up
  8. Jump up^ S. Frith, "Pop Music" in S. Frith, W. Stray and J. Street, The Cambridge Companion to Pop and Rock (Cambridge University Press, 2001), pp. 93-108.
  9. Jump up^AllMusic. AllMusic. 2007. Retrieved 2007-12-04.
  10. Jump up^ A. Donnell, Companion to contemporary Black British culture (London: Taylor & Francis, 2002), p. 185.
  11. Jump up^ P. Childs, and M. Storry, Encyclopedia of contemporary British culture (London: Taylor & Francis, 1999), p. 436.
  12. Jump up^ N. Zuberi, Sounds English: Transnational Popular Music (University of Illinois Press, 2001), p. 188.
  13. Jump up^ Rip It Up and Start Again Postpunk 1978-1984 by Simon Reynolds pp. 340, 342-343.
  14. Jump up^ S. Frith, Popular Music: The rock era (London, Routledge, 2004).
  15. Jump up^ P. Shapiro, Turn the Beat Around: The Secret History of Disco (Basingstoke: Macmillan, 2006), pp. 288-9.
  16. Jump up^ D. Else, J. Attwooll, C. Beech, L. Clapton, O. Berry, and F. Davenport, Great Britain(London, Lonely Planet, 2007), p. 75.
  17. Jump up^ V. Bogdanov, C. Woodstra, S. T. Erlewine, All Music Guide to Rock: The Definitive Guide to Rock, Pop, and Soul (Backbeat Books, 3rd edn., 2002), pp. 1346-7.
  18. Jump up^ N. McCormick, "Flower of Brit-soul turns shrinking violet" Daily Telegraph, 29 Jan 2004, retrieved 02/07/09.
  19. Jump up^ McKinnon, Matthew (2005-05-05).Canadian Broadcasting Corporation. Retrieved 2008-02-24.
  20. Jump up^ J. HarrisThe Guardian, 13 October 2006, retrieved 31 March 2007.

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